James Scott Bell

An “arena of conflict" is where your lead realizes he or she needs to overcome a challenge. Mr. Bell introduces you to the concept of a “mirror moment” and provides examples of authors who have demonstrated this technique, such as Margaret Mitchell, Suzanne Collins, Mario Puzo, Harper Lee, Thomas Harris, and Dashiell Hammett.

Mr. Bell introduces the five functions of dialogue and breaks down the importance of vocabulary, syntax, and specifics like regionalism to help build the character. Examine examples from Margaret Mitchell, John Howard Lawson, Charles Webb, and others. Explore the importance of subtext, or what is underneath the words, and how it can suggest secrets, fears, memories, yearnings, or hopes.

See how James M. Cain, Harlan Coben, Anne Lamott, Ken Follett, James Clavell, and Dean Koontz often use a jolt or disturbance to hook a reader in, and how that often contributes to the book becoming a best seller. Look at other elements you'll need to include in the first act that will build up the character bonding and tension, which will keep readers riveted.

Mr. Bell shows you how to map the hot spots so you don’t get bogged down writing it. He unpacks the power of authors who have mastered delivering an emotional punch, such as John Steinbeck, John Harvey, and Raymond Chandler. He also introduces an exercise that helps you create strong yet concise emotional moments, and examines the power of metaphors to deepen emotional connection.

See how Stephen King, Dean Koontz, and Michael Connelly use an emotional beat (emotion, analysis, and decision) to build conflict and tension in a scene and keep it going. Dissect the elements to create and use a successful hook and how to end each chapter on a prompt that will make the reader want to keep reading.

Get a comprehensive, eye-opening, and illuminating survey of the entire writing process, as well as a full breakdown of how dozens of best-selling authors have implemented best practices in their own writing. As an aspiring author, you will gain a wealth of tools that will not only improve your ability to write, but will also increase your enjoyment of the craft.

Mickey Spillane noted, “The first chapter sells the book. The last chapter sells the next book.” Mr. Bell has already provided the tools to get your reader hooked with the first chapter, and potentially the first line! Now, he provides the five strategies that will help you end your book in a way that gets your reader craving your next title.

Dive into the writing styles of “pantsers” versus “plotters” and get a better understanding of whether you want to aim for a plot-driven or a character-driven story. And using the writings of John Grisham, Ernest Hemingway, Lee Child, and others, evaluate the traditional mythical structure of a three-act story.

Through examples from Janet Evanovich, Elmore Leonard, Douglas Adams, Tom Robbins, Dashiell Hammett, John D. MacDonald, Raymond Chandler, and others, gain the knowledge to master your voice by getting into your character. Then, delve into the rudimentary lessons of a good writer: showing versus telling, avoiding narrative summaries, writing great descriptions, and using telling details.

Mr. Bell introduces you to the different kinds of beginnings and investigates the benefits of using a prologue. With examples from Mary Higgins Clark, Harlan Coben, Ken Kesey, John Gilstrap, Mickey Spillane, David Morrell, and others, you’ll learn how to start your scenes with a bang, raise big questions, and then switch things up in the next scene so readers are on the edge of their seats.